A weekly analysis of new hip-hop, influential blues, and noteworthy underground artists.

Saturday, May 29, 2010

Bluestone's Track of the Day: Blue Guitar

The Chicago bluesman Earl Hooker, born in 1929, was a master of the slide.  He played a lot of open tunings and mixed finger soloing in with his slide.  B.B. King said, "To me he is the best of modern guitarists. Period."  That's a fine compliment coming from a man like B.B. 
The instrumental, Blue Guitar, has a fine piano and brass section, but Hooker's lead guitar takes the cake.  He plays mostly a classic blues solo and he plays it so well, throwing in a couple wild slides to make it his own.  Hooker was born in Mississippi, but came to Chicago and picked up his style at the age of one.  He didn't move because of a record signing, it was his parents' choice, but he was clearly destined to be great.  Hooker grew up with Bo Diddley and was greatly influenced by T-bone Walker.  Hooker began his career in 1946 by touring through the South with Robert Nighthawk and his band.  Here's a version of Blue Guitar with Junior Wells.

Earl was a real showman, watch him live here, playing with his teeth!

Friday, May 28, 2010

Jimi Hendrix: Blues (Tracks 8 and 9 of 11)

The next two tracks from Jimi Hendrix's Blues are Jam 292 and Once I Had a Woman.  Jam 292 is a fast-paced jam, an unconventional blues.  There is just a lot going on in this song, including a lot of distortion, and it is somewhat hard to distinguish Jimi's real talent.  The version I have here is called Jelly 292, which is apparently the second take of Jam 292.  Once I had a Woman, on the other hand, is a slow, crying blues, that I associate with Jimi's full bend and simultaneous vibrato.  He gets a lot out of simple licks in this song.  It also has a harmonica part and vocals.  Lord I had a woman, lord knows she was good to me in every way.  Jimi definitely has a lot of fun on both of these tracks, check them out.

Monday, May 24, 2010

Summer Nights Vol: 2


Here's the second edition of my Summer Nights mixtape series. Check it out and enjoy the good weather. Tracklist and Download Link below.
Download: Summer Nights: Vol 2














1. Outta Control-Rebelution
2. I'm On It-French Montana feat. Big Sean, Wiz Khalifa and Nipsey Hussle
3. L.A.-Murs
4. Vices-Tomorrow's Bad Seeds
5. Kush-Lil Wayne
6. Outty 5000-Lupe Fiasco
7. Shove It-Santogold
8. Cruise Control-Mac Miller feat. Wiz Khalifa
9. Buggin Out 2009-KiD CuDi feat. Consequence
10. Proud to be a Stoner-Kottonmouth Kings
11. Strangers-Reflection Eternal feat. Bun B
12. Drive Slow-Kanye West feat. Paul Wall and GLC
13. Worst Comes to Worst-Dilated Peoples
14. What A Job-Devin The Dude feat. Snoop Dogg and Andre 3000
15. This Joint-Slightly Stoopid
16. Wild Wild Horses-Atmosphere
17. Xxplosive-Dr. Dre feat. Hittman, Six-Two and Nate Dogg
18. Back Like That (Remix)-Ghostface Killah feat. Kanye West and Ne-Yo
19. Acid Raindrops-People Under the Stairs
20. Loud Pipes-Ratatat
21. Sunshine-Atmosphere
22. Paradise-Young Chris feat. Lil Wayne
23. Hot Wangs-Asher Roth
24. Gangsta's Life-Nipsey Hussle feat. Snoop Dogg

Sunday, May 23, 2010

Bluestone's Track of the Day: All Blues

All Blues first appeared on Miles Davis' album Kind of Blue in 1959.  This is a jazzier tune but it is a blues.  It's a regular progression excluding the bVI chord which replaces the normal V.  Kenny Burrell is my favorite jazz guitarist to date.  He does a great guitar arrangement here of All Blues.


My other favorite tunes by Kenny Burrell include Soul Lament and his take on Girl Talk.

Saturday, May 22, 2010

Summer Nights: Vol. 1


In the absence of any good new music as of late and in celebration of the upcoming summer, I've been spending the last week or so putting together a playlist to kick back and relax to. Given that it's about 100 songs, I'll be putting out a 24-track CD every couple of days to give you the full collection. Much thanks to Will Kaupilla and Aje Julien for sending me some dope tracks to add to the mix. Lemme know in the comments section if there's anything you'd like to see make the list for the next edition.

Download: Summer Nights: Vol. 1




1. Daydreaming-Lupe Fiasco
2. My World Is...-Blu
3. The Garden-Tribal Seeds
4. More Than Ever-Rebelution
5. Iron Lion Zion-Bob Marley
6. Truth Is-Brother Ali
7. Generation Lost-B.o.B.
8. A Bathing Harry-Lupe Fiasco
9. Dirty Girl-Felt
10. Sunshine-Mos Def
11. Ballad of the Black Gold-Reflection Eternal
12. Libertad-Tribal Seeds
13. Still Blazin-Wiz Khalifa
14. Good Times-Styles P
15. Cab Fare-Hieroglyphics
16. Come Around-Collie Buddz
17. Good Times-The Holdup
18. Moment of Truth-Gang Starr
19. Over the Building-Wiz Khalifa feat. Curren$y
20. Santeria-Sublime
21. She Won't Let Me...-Afroman
22. Something About Us-Daft Punk
23. Summer Nights-Lil Rob
24. Wake-Up Show Anthem '94-Nas

Sunday, May 16, 2010

Jimi Hendrix: Blues (Track 7 of 11)

Born Under a Bad Sign, the classic Albert King tune, is taken from a different angle by Hendrix.  First of all, he plays it in a different key, a little slower, and with no lyrics.  Albert typically plays a crisp style of lead guitar, which Hendrix also changes up a little.  He adds more vibrato, distortion, and makes the guitar whine a little more.  It's a completely different vibe.  Albert sings it with an air of confidence and manliness, which Jimi's version doesn't convey.  Jimi's style is a little more somber.  That being said, the 7 minute 38 second track has a lot of variety, which I like.  It's an informal jam.  It has fast paced lead, slow, whining lead, some real rhythm to it, and some rock and roll.
Something Jimi does on this track that's great: there are no lyrics, but you hear his voice a few times.  He lets out a "Yeah!" and a couple of moans.  This makes the song twice as good; I feel like I'm hearing it live, I get a vivid picture of him playing.  Albert King does this, too, like in I'll Play the Blues For You when he says, "Scuse me..." before his solo.
Born Under a Bad Sign - Hendrix
Albert Live 1981

Thursday, May 13, 2010

Bluestone's Track of the Day: Stormy Monday

I chose this track so we could talk a little bit about Eva Cassidy, likely my favorite female vocalist.  She's really a folk singer, but she does Stormy Monday, so welcome to Champagne n' Reefer.  Cassidy's first album wasn't released until 1992 and she died four years later.  From what I've heard, she was virtually unknown when she died in 1996, but has come into much more popularity since then.  Her biggest song, Over The Rainbow, got exposure in the UK three years after its release, where it blew up.  She also topped charts in a few other countries.  Read more about her here.
And now for a little bit about Stormy Monday.  Stormy Monday was released by T-bone Walker in 1947 and became a blues standard, recorded by artists including Albert King, B.B. King, Bobby Bland, Buddy Guy, and Eva Cassidy.  Stormy Monday reached #5 on the charts and supposedly inspired B.B. King to pick up the electric guitar.  They call it stormy Monday, oh but Tuesday's just as bad...
Stormy Monday, T-bone
Stormy Monday, Eva Cassidy
Stormy Monday, Albert King
Stormy Monday, B.B. King
Stormy Monday, Buddy Guy
Here are a few more tracks from Eva Cassidy - Ain't No Sunshine, Fever, Wade in the Water, Wayfaring Stranger, The Letter, Over the Rainbow, all worth listening to!

Wednesday, May 12, 2010

New Tracks: May 12th

New tracks from the past couple of days. Both Stat Quo and Em tracks are pretty old, but unreleased up until today so I figured I'd throw em up anyways.
Download: Stat Quo feat. Eminem-Classic Shit
Download: Stat Quo feat. Eminem-Atlanta on Fire
Download: Vinnie Paz feat. Beanie Sigel-Kill 'em All
Download: Jhene Aiko feat. Drake-July
Download: Grafh feat. Royce Da 5'9"-My Life
Download: Big Sean-What U Doin'

Offthechart's Random Tracks of the Day

Sampling Heart's 'Crazy On You', this first track might be Eminem's greatest love song. Like the rest of his romance-filled tracks, this one is dedicated to ex-wife Kim. Dropping lines like:
You're like the pillar that props me up
The beam that supports me
The bitch who never took half,
The wife who never divorced me.
You're like the root to my evil
You let my devil come out me
You let me beat the shit out you
Before you beat the shit out me.
Em really proves himself to be a true romantic on this one.

Download: Crazy in Love

I cannot, for the life of me, figure out why Ludacris is not monumentally more famous. He has dropped so many ill songs over the past decade and, for some reason, just doesn't get the recognition he deserves. This track is off Theater of the Mind, and has got a crazy sample as well as a feature from Floyd Mayweather Jr., the undefeated boxing champ.

Download: Undisputed

Here's an old school track from hip-hop duo Handsome Boy Modelling School. This song has got some crazy scratching skills goin on. Check it out.

Download: Holy Calamity

Bluestone's Track of the Day: The Thrill Is Gone

This one couldn't wait any longer.  I've been hesitant to write a post about The Thrill Is Gone because I don't know what I can say to do it justice, or what I can say about it that hasn't already been said.  It is one of the greatest songs ever written.  Roy Hawkins' original version of this song was a minor hit in 1951.  He, supposedly, wrote it with Rick Darnell, but according to a YouTube comment I found, Hawkins only put Darnell's name on the track so he would help produce it; doesn't sound unlikely.  Anyways, B.B. King first recorded The Thrill Is Gone for his 1969 album Completely Well.  In 1970, the song reached #3 on the Billboard Singles.  The Thrill Is Gone eventually earned the 183rd spot on Rolling Stones' 500 best songs ever and won B.B. King a Grammy award.  So many memorable versions of this song have been recorded, but here are just a few.
The Thrill Is Gone...
Completely Well
With Eric Clapton
Live in 1970
Live in 2001

Tuesday, May 11, 2010

Bluestone's Hip-Hop Track of the Day

I found this on another blog, looks like we were behind the curve here because this is not only an awesome track, but it has everything to do with rap and blues, at the same time. Listen to Born 2 Sin.  Bad News Brown is definitely a hip-hop artist, but not just a rapper.  He has rhythm and style, he's creative, he's makin' real music.  I like what B.o.B. has been doing, trying to really sing and add some soul to hip-hop; this is what Bad News Brown does, only Bad News does it better.  Check him out at http://badnewsbrown.com/.  Go out and buy his stuff, do what you gotta do to support him.  Check him out first here on Champagne n' Reefer.


Jimi Hendrix: Blues (Tracks 5 and 6 of 11)

Here's a double installment from the Hendrix Blues album, Voodoo Chile Blues and Electric Church Red House.  I put these two together because they're similar and I have almost nothing to say about them.  They just display more of Hendrix's distinctive, creative soloing ability.  I like some variety, but honestly, the album wouldn't necessarily lose anything without one or the other of these tracks.  Electric Church Red House is, of course, Red House in a completely different way, and Voodoo Chile Blues does the same thing for Voodoo Child.  Electric Church was recorded in 1968 and features an organ; Voodoo Chile was released on the Electric Ladyland album.

Also, check out Red House on my earlier post and Voodoo Child right here.
I guess all I have left to say is, the night I was born, the moon turned a fire red!

Monday, May 10, 2010

Offthechart's Random Tracks of the Day

This is an old school track from Jeru the Damaja. He tells a story about going toe to toe with Ignorance, whom he personifies as a demonic, misogynistic polygamist. Helped along by his smooth flow, Jeru definitely lays out a great story worth having a listen to.

Download:Jeru the Damaja-You Can't Stop the Prophet

Here's a song from Brother Ali off his 2007 effort, The Undisputed Truth. For those unfamiliar with Brother Ali, he's albino and (as far as I know) the only rapper with this condition. It's interesting to hear his take on growing up discriminated against, particularly because it isn't the same sort of racial discrimination that is so often described in rap music. Early on in his career, Ali often mislead listeners to believe he was black, though he has more recently come to terms with his albinism and even embraced it.

Download: Brother Ali-Truth Is

Off Eminem's Relapse: Refill, there isn't much else to say about this one. As per usual, Em kills it and even has a catchy chorus in that sing-song voice he's become so fond of.

Download: Eminem-Elevator

Weezy and Drake: The Rikers Island Redemption


Another ill mixtape from DJ Noodles. As with most tapes from Noodles, all the songs on this are rehashes of old verses thrown over new beats. Still, these mixes top most new material these dudes have been putting out lately so check it out. I posted my 3 favorite tracks below, featuring Wayne and Drake (plus a little Gucci) killin' some beats from Saigon, J.Cole and Rick Ross. The last one in particular is absolutely crazy.
Download-Lil Wayne-I Am Him
Download-Lil Wayne feat. Drake-Still Fly
Download-Lil Wayne feat. Drake and Gucci Mane-Push Cash

Kanye's Glow in the Dark Book


I'd like to remark that Bluestone and I were both at this concert and it was, by far, the best show I've ever been to. Despite the fact that the concert was nearly two years ago at this point, I still vividly remember how cohesivly Ye put a story together with his incredible setlist, stage presence and props. I've never seen anything like it before. His new book of tour photos just recently went up for sale on Amazon and ,even if you have no intention of making a purchase, hit the following link to check out some more incredible photos from Kanye's blog.

Sunday, May 9, 2010

Bluestone on The Doors

The Doors covered both Crawlin' Kingsnake, by John Lee Hooker, and Howlin' Wolf's Back Door Man.  These tunes are both mannish and lend themselves to Jim Morrison's baritone voice.  Hooker's Kingsnake is one of his best.  It's repetitive: a simple, repeated lick between lines.  You caught me crawlin' when the grass was very high, I'm just gonna keep on crawlin' baby until the day I die!  The Doors do what they can with this song.  It's a simple song, but Hooker just had something in him that made it great; I can't say the same about the Doors on this track.

Buy The Very Best of the Doors [US Version] on Amazon.com.

On back Door Man, however, I think The Doors outdo Howlin' Wolf on his own tune.  The two versions of Back Door Man are much more similar than those of Crawlin' Kingsnake, but I just don't dig Howlin' Wolf's voice here, it's harsh.  Here's The Doors' versions of Back Door Man and Crawlin' Kingsnake.  Realize how similar this rock band is to some classic blues guys, another testament to the foundation blues set for American music.  Also, realize how similar The Doors' versions of these songs are to each other!  To put it nicely, their style is very, very recognizable.



Weekly Mixtape: Volume 2 (May 3rd)


This was a pretty slow week for new music, but I managed to throw 12 tracks together for this week's tape. Tracklist and download link below. Happy Mothers Day everyone!
Download: Weekly Mixtape: Volume 2 (May 3rd)













1. Royce Da 5'9"-My Own Planet
2. Drake-One Man Show
3. Damian Marley & Nas-Patience
4. Scarface-Picking Up The Pieces
5. T.I.-Road to Success
6. Damian Marley & Nas feat. Stephen Marley-Leaders
7. Scarface feat. B.James, Monk Kaza and Rodney Grant-Get Lost
8. Young Jeezy feat. Trick Daddy and Scarface-Ride Wit Me
9. MJG & 8Ball feat. T.I.-Bring it Back (remix)
10. Bun B feat. Yo Gotti and Gucci Mane- Countin Money
11. Dead Prez-The Beauty Within
12. Bruno Mars feat. Cee-Lo and B.o.B.-The Other Side

Bluestone on Arthur Alexander

Arthur Alexander's music is categorized on my iTunes sometimes as blues and sometimes as R&B.  Wikipedia calls it 'country soul,' and my uncle just describes it as Muscle Shoals.  The fact is that he has a couple bluesy tunes, but otherwise, country soul is not far off.  Arthur Alexander, along with Big Boi and Andre 3000 from Outkast, is the man that first got me interested in music.  I heard him on the radio when I was about 8 years old and I bought his album, Lonely Just Like Me and then The Greatest.  Arthur lived from 1940 to 1993, born in Sheffield, Alabama and a major influence on American music.  He recorded his first single in Alabama, in 1960 for Judd Records.  It was the mean, bluesy Sally Sue Brown.  Little boys better run for cover, if you don't wanna be a broken hearted lover!  In third grade, I used to say "Sally Boo Brown" hundreds of times a day, until finally my teacher made me stop.  The song has a simple, catchy blues riff and Arthur sings it like he always does.  In 1961, he started recording at the Muscle Shoals studio, where he first released You Better Move On. , which was covered by the Rolling Stones, then Anna (1962), which was covered by The Beatles.  The Beatles always said Alexander was a major influence on their work.  The Beatles also covered Arthur's incredible song Soldier of Love.  According to Wikipedia, Arthur's music career fell apart so badly that he spent years as a bus driver.  It's really a shame because he is absolutely incredible.  he has so many hits like Where Have You Been, After You, and Without A Song.  Unfortunately, I can't find the bluesy Mr. John, but please purchase his album Lonely Just Like Me on Amazon.com.  Arthur is good for wooing the ladies, feeling the blues, or getting up and dancing.  He was a great artist who left an important legacy behind, I love him.

Saturday, May 8, 2010

Nas Co-Signs Diggy Simmons


Diggy Simmons is Rev Run's 15-year old son, who just happens to be a dope rapper. He dropped his first mixtape last year though didn't get a whole lot of recognition until recently with his freestyles over Drake's 'Over', and more recently, freestyle over Nas' 'Made You Look' (above).
After hearing Diggy dismantle his track, Nas had this to say of Rev's son:
“I couldn’t believe it. Rev Run is the king of rap, and for him to have a son who’s that nice? You don’t even think shit like that happens. I don’t think we’ve seen that in hip-hop yet—he’s nice and his father’s the king? That’s historic, bro. That shit is incredible. That little dude is nice.”
Seriously, this kid's only 15. Illest 15-year-old I've heard since Nero dropped this shit. I'll be keepin an eye on this kid, curious to see what happens when his voice drops.

Offthechart's Random Tracks of the Day

First up for the day is an old school track from the hip-hop trio Brand Nubian. This is off their debut album, One for All, which dropped in 1990. This CD contains many hallmarks of Golden Age of Hip-hop, particularly on the production side with all of the funk samples. For example, 'Slow Down' uses clips from two Kool & the Gang songs and a snippet from Funkadelic. Check it out.

Download: Slow Down

This next one is in honor of Mother's Day tomorrow. This cut is from Bishop Lamont, dedicated to the woman who raised him. Lamont just recently departed from the Aftermath label, after spending five years with them and not releasing a single album. After taking 700 mastered tracks with him on his departure, Bishop's debut, The Reformation, is set to be released later this year.

Download: My Mama

My last random track of the day has already been featured in my previous article on DoSAGE but I felt the need to bring it back to the top and give the dude some recognition. This one's got a real solid beat, with synths somewhat reminiscent of 'All the Way Turnt Up' but it's lyrically much stronger. On this track, DoSAGE talks about the dangers of selling out, something an upcoming artist definitely needs to be wary of.
Download: Read the Contract

Jimi Hendrix: Blues (Track 4 of 11)

Here is the acoustic version of Hendrix's Hear My Train A Comin'.  It's played on a 12-string guitar and I think this video may have been made as a promotion for the guitar.  Anyways, the track doesn't really start until 1 minutes in.  Hendrix starts off by talking about "gimmicks," then plays a little, then asks to start over because he's so nervous.  It is bizarre.  There is no audience, he's playing for a recording, I don't know why he's nervous.  He's one strange guy.  That is all forgotten, however, when the tune starts.  His guitar seems to be tuned funny, it doesn't sound like anything at all that I've heard before.  The style is just unique, I can't even describe it.  It certainly is not like the Blues tracks I've posted so far, a testament to his skills.  It's safe to say Jimi could have made himself a star in any genre.  Apparently, he did more songs in this recording, on the 12-string, but I can't find them.  Hendrix's crazy fashion sense is showcased in this video.  He's got his rings, some kind of polka dot jacket, and a decorated hat: weird.  I was scared as to death can i just do it one more time, one more time!  Here he is.

Friday, May 7, 2010

Offthechart's Random Tracks of the Day: Mashup Edition


Today I'm gonna use all mashup songs, with rap acapella's and rock/pop beats. Of all the rappers to be used in mashups, Jay-Z is by far the most popular. When American Gangster, Jay-Z's homage to the movie, came out, there had to have been at least 50 different mashups CDs using those acapellas alone. One of my favorites was Jay thrown over some U2 beats. My favorite off of that CD, entitled U2 Gangster, is Jigga's 'Pray' vocals over U2's 'One.' The two sounds go together so well, this song could have been on the original CD. No youtube so hit the link to stream and download.
Download: Jay-Z vs. U2-Pray

I stumbled across this next one on Youtube. Using the vocals from Joe Budden and Busta Rhyme's 'Fire' over the Red Hot Chili Pepper's 'Snow (Hey Oh)' this is just another one of those mashups that really hits its stride. The lyrics are spend up a little bit to match RHCP's quick beat and they fall in line together perfectly.

Download: Joe Budden vs. RHCP-Snow Fire

The last song of the day is called 'Technology is Right', which mixes 50 Cent's 'Ayo Technology' and Nelly Furtado's 'Say It Right'. The producer, Norwegian Recyling, muted the vocals a bit, so the track almost has an eerie sound to it. This is a great song to just sit back and let your mind wander to as the song has a sort of hypnotic effect.
Download: Norwegian Recyling-Technology is Right

Bluestone's Track of the Day: Whiskey Blues

Here's a slide tune from Muddy, called Sittin' Here Drinkin' or Whiskey Blues or something like that.  So far, from Muddy, I've shared My Home Is In The Delta, Baby Please Don't Go, and Champagne and Reefer, plus Hendrix's cover of Mannish Boy.  Whiskey Blues is a lot like My Home Is In The Delta, not a lot like the others.  It's a true crying slide tune, no electric effects, just good old blues.  Whiskey Blues, another testament to Muddy's range and number of good songs, check it out.

Thursday, May 6, 2010

Bluestone's Track of the Day: Blues Before Sunrise

This tune has a piano, a lead guitar, a rhythm guitar, and some brass, but it has the vibe of a country blues.  John Lee Hooker lived from 1917 to 2001, and he was from Mississippi, where he began as a sharecropper.  He developed a kind of talking blues style, where he plays a lick then the only accompaniment to the lyric is the tapping of his foot.  Hear it here in his famous Boom Boom.  Lightnin' Hopkins does some good talking blues, too, like I'm Beggin' You.  Lightnin's kind of talkin' blues is even a bit more sparse than Hooker's, which I like.  They build this real relationship between the singer and the guitar, where the guitar's voice is no more valuable nor abundant than the spoken word, but I digress.  Blues Before Sunrise is a sincere tune.  Hooker got a little mannish with some of his songs and sounded like Muddy Waters, but not here.  Blues Before Sunrise is somewhere between Lightnin' and Muddy (not a bad couple o' guys to be between.)  It's just the right balance of sadness and hope, it's the right balance of music and lyrics, the right balance of guitar and piano.  It's a delicately put together blues that could not have been done better.  I chose the above photo of Hooker with purpose.  He usually plays a hollow body jazz guitar, but he has an acoustic here.  I don't know what he really plays Blues Before Sunrise with, but I picture it as an acoustic, simple and sincere.

New Tracks: May 6th

Couple new tracks today. If you're only gonna grab one of these, pick up the Nas and Damien Marley joint. Distant Relatives is going to be crazy.
Download: Damian Marley feat. Nas-Patience
Download: Bruno Mars feat. Cee-Lo and B.o.B.-The Other Side
Download: Raekwon-Just 4 Laughs
Download: Lauryn Hill feat. Stat-Quo-The Hustle
Download: Bun B feat. Yo Gotti and Gucci Mane-Countin' Money

Offthechart's Random Tracks of the Day

First for the day is Warren G and Nate Dogg's 'Regulate'. This is a real classical west coast track, from the smooth beat to Nate Dogg's smooth crooning. In my opinion, Nate Dogg is the best rap chorus/hook singer of all time and should be a role model for the rest (ie. T-Pain, Akon, etc.). This song tells the story of Warren G out hunting for women, when he's mugged and Nate Dogg comes along and shoots his friend's assailants. Fun fact to know and tell: Warren G is Dr. Dre's stepbrother.

Download: Regulate feat. Nate Dogg

Another solid west coast song right here: 'Paper'd Up' by Snoop Dogg. This song is actually a cover of Rakim and Eric B's 'Paid in Full', though Snoop definitely adds his own flavor to it, with his unique style of rapping and a new chorus. There is just something about his cool, casual flow that is just like ambrosia for your ears. Fun fact to know and tell: Snoop Dogg performs this song at Mitch's house party in the movie 'Old School'.

Download: Paper'd Up

This track is off of Jay-Z's debut, Reasonable Doubt, which was released in 1996. The content of this song fits in perfectly with the image Jay set for himself as gritty and from the streets. He describes the hardships of hustling and dealing drugs, tossing in some of his best lines to this day: "So I kept feedin' her money 'til her shit started to make sense", "We used to fight for building blocks/ Now we fight for blocks with buildings that make a killin'", and "I never prayed to God, I prayed to Gotti." For real though, you've gotta listen to this song to fully appreciate the brilliance of it.

Download: D'Evils

Wednesday, May 5, 2010

Bluestone on Johnny Otis

Johnny Otis' Slo Fuse is the reason he must be on this blog.  Otis began his musical career playing in swing bands and orchestras, but found his own band in 1945.  Slo Fuse has a piano and plenty of brass, but also a great lead guitar part.  The guitar soloing carries through most of the song, interrupted only by a cheesy saxophone solo.  The intro, in particular, is just bad ass blues, it's great.  Otis is primarily a pianist, so I don't know how much credit this is to him, but nonetheless, it's good.  Unfortunately, i can't find this song in any source where i can legally post it, but buy Slo Fuse on Amazon.com.
Johnny Otis was born to Greek immigrants in Vallejo, California.  Otis' family did not have a musical background and he, too, pursued interests other than music, including politics, hosting a radio show, and owning various shops and clubs.  Along with all this, of course, he was a successful musician.  He recorded a big band hit called Harlem Nocturne, and his biggest hit was Willie and the Hand Jive.  Honestly, Willie and the Hand Jive is awful; I can't stand it.  It is hokey and boring, it's a pop song as far as I'm concerned.  I prefer his bolder tunes like Bad Luck Shadow and Low Down Dirty Dog Blues, which I believe is originally a Son House tune.  Again, I can't find these tunes online, my apologies.  I own them on the Best of the Blues: 50 Favorites CD.
Otis was inducted into the Rock and Roll Hall of Fame in 1994 for his songwriting and producing with Elvis Presley.

Bluestone's Track of the Day: Driftin' Blues

Today's track, Driftin' Blues, is from the smooth singin', sweet talkin' Charles Brown.  Brown moved out to Los Angeles at an early age, where the night club scene became his best order of business.  The best selling Driftin' blues came out in 1945, at a time when blues was gaining credibility as a classy art form.  Brown sings it smooth and gentle, he's of a slightly different breed than most blues singers.  He doesn't have any harshness in his music, he's more like a jazzman in my eyes.  But anyways, his Driftin' Blues is more than catchy, carried mostly by the piano, with a very simple guitar solo.
To hear my favorite version of this song, buy Best of the Blues: 50 Favorites on Amazon.com

Tuesday, May 4, 2010

Bluestone's Track of the Day: Baby Please Don't Go

Baby Please Don't Go is a blues standard and possibly the best tune ever written. It has been covered by innumerable artists and in countless different yet compelling ways. According to Wikipedia, the lyrics are derived from 20th century work songs Another Man Done Gone, Alabama Bound, Don't Leave Me Here, and Turn Your Lamp Down Low. As we already know, all blues are interconnected and derived from one another and so on and so forth and here and there and it's all the same. What is so special about this song? Don't ask me, because i couldn't tell you. Don't ask me why Bob Dylan was so successful with a terrible voice and sub par guitar skills. Don't ask me why Crank That by Soulja Boy was such a big hit. Some things are just good, they're appealing, the devil has some stake in them.
Supposedly Big Joe Williams' version was the first recorded (1935). I don't know which version he recorded first, but the one I have here is on a 9-string guitar with a first fret capo, and is absolutely brilliant. The video is a must watch. Big Joe is fat and passionate, he taps his foot, and he freakin' plays it. His vocals fade in and out in such a way that they blend together with his playing. I commented on Hendrix's blend of vocals and playing earlier; it's fascinating to note that parallel here in a completely different setting.

Van Morrison's version is a fast paced, full band blues rock. A lead guitar plays the melody over a simple bass, there's a harmonica, drums, and everything. Van sings it well, too. Although this is not how this tune began, it's well done.
Lightnin' Hopkins' version is played in typical Lightnin' fashion and is another knockout. He plays the melody then strums out a blues. Hopkins' is hilariously distant looking in this performance, but it's still good. The version recorded on his Blues Masters Compilation album of 2000 is also very good, different from the one here.
And here is Muddy Waters' version. He of course is the bridge that leads from Big Joe and Lightnin' to Van Morrison.  Not quite rock, but not an old fashioned blues. Check it out.

Offthechart's Random Tracks of the Day


When Saigon first announced announced his debut album, The Greatest Story Never Told, there was an enormous amount of hype. His first mixtape, Warning Shots, was pretty incredible and he scored a huge cameo on the HBO show Entourage. However, that was nearly 5 years ago. Since then, Saigon has basically fallen into obscurity. Still, it is an undeniable fact that some of his tracks are absolutely fire. Check out this classic Saigon cut with a huge feature from Jay-Z. No youtube of this one, hit the download link to stream it, though.
Download: Come On Baby (Remix) feat. Jay-Z


Another track from Slim Thugga. This dude just has some tracks that are straight fire. Released as promotional content for Slim Thug's last album, Boss of All Bosses, this track has got a killer beat. Check it out.

Download: AJ's

My favorite track from the rising star Nero. I spotted this dude at illroots a couple months ago and have picked up every one of his tracks since. He's got some incredibly clever lyrics and every song warrents a couple spins to pick up on some of his best lines.

Download: Rugged & Raw

New Music: May 4th

Young Jeezy's new mixtape dropped today. Unless you're a major fan of Jeezy, I wouldn't recommend picking this tape up. It's good background music but most of the beats/lyrics kinda blend together in an hour and a half long mix. I'll post a download link below, but I've also put up my favorite tracks off tape if you just want the choice tracks. Also, a solid new song from Royce Da 5'9" today. I can see a lot of other rappers laying down a few bars over this one.

Download: Young Jeezy- Trap or Die 2 Mixtape (courtesy of 2dopeboyz)
Download: Young Jeezy-Camaro
Download: Young Jeezy feat. Trick Daddy and Scarface- Ride Wit Me
Download: Young Jeezy feat. Bun B and Birdman-My Tool
Download: Young Jeezy- Bonus Track
Download: Royce Da 5'9"-My Own Planet
Download: J.Cole- Hot 97 Freestyle
Download: 8Ball and MJG feat. T.I.-Bring it Back Remix

Who is Weezy's Replacement?


Yesterday, a fan on the Champagne n' Reefer facebook wall raised the question: “Who will replace Weezy?” For those who don’t know, Lil Wayne has been in jail since March 9th for a one-year sentence (though will probably serve only 8 months for good behavior) on gun charges.
Wayne is easily one of the most high profile rappers of the past five years, and, in the eyes of many, the best. Although he gained some serious mainstream recognition with Tha Carter II, it wasn’t until a year later that Weezy’s produced his masterpiece: Da Drought III. Though he has undoubtedly had some good work since then, it’s widely held that Lil Wayne has been slowly falling off, a fall which has culminated in his recent incarceration.
Taking a look at history, Wayne’s stint in prison has the makings to be a career-ender. Few rappers have gone to prison for an extended amount of time (after their rise to fame) and managed to come out with the same amount of clout and relevance in the game. Just look at Shyne. When first signed to Bad Boy Records, Shyne was hyped up to be the next big thing, even drawing comparisons to The Notorious B.I.G. Until his ten-year prison sentence, that is. Shyne was released from jail a couple of months ago and has released a handful of tracks, every single one of which has been proclaimed total shit by the greater rap community.
One of the first rappers who looks like he has the potential to break the trend of jail ending a rappers career is T.I. Just out of the pen, T.I. has already jumped right back into the game with a few new (solid) tracks and an upcoming album, King Uncaged.
Back to the original question though: Who will take Lil Wayne’s throne? There are definitely a few criteria for taking the crown.

1. Recognition
2. Varied Flow
3. Clever Lyrics
4. Controversy

We’ll start off with recognition. A rapper’s gotta have a big name in order to fill
Weezy’s shoes. Though I’m a huge fan of up-and-comers J. Cole and KiD CuDi, neither of these rappers have proven themselves to have the staying power to sit at the top. Many would like to hail Drake as the immediate successor to the Young Money throne, but he hasn’t earned his place as king of the hill yet, either.
Wayne’s replacement must also have been in the spotlight recently enough for a power grab to be plausible, making a relatively short list: T.I., Young Jeezy, Lupe Fiasco, Eminem, Jay-Z, Kanye West and The Game.
Next up is a varied flow. About the only person I can knock off here is Young Jeezy; the rest have proven to be fairly capable of mixing things up.
Third: clever lyrics, a critical ingredient to Weezy’s replacement that many of the remaining contenders lack. T.I. and The Game are knocked out right off the bat. Their lyrics are all about name/brand dropping, which just can’t stack up against the lyrics of the greats. I’ve also gotta take Jay-Z out of the running here too. Though he definitely was a great lyricist in his heyday, Jay is past his prime and too old to vie for the top spot. Jigga's had his last big encore.
So that brings us to the final piece of criteria; controversy, and Lupe, Kanye and Eminem are the final three standing. Controversy is necessary to being great in the rap world. What great rapper has ever been unanimously liked?
As great a rapper as he may be, Lupe Fiasco is not a polarizing figure in the way Weezy is. He's got a pretty loyal fan following, but the vast majority of his songs aren't radio friendly, which definitely hurts his cause. He just doesn’t draw the same type of attention that’s necessary to hold it down at the top. Looks like the L.U.P-End for Lupe in this contest.
Kanye West is undoubtedly controversial. From his “George Bush hates black people” outburst, to shutting down Taylor Swift at the VMA’s, it seems as if Kanye is constantly in the middle of a media firestorm. Unfortunately, the Taylor Swift incident may have garnered too much negative publicity, knocking him out of the public eye as of late. There are reports of a new CD being released over the summer entitled Good Ass Job, but he hasn’t dropped a new solo track in months, so the quality of his next CD is anyone’s guess making him a risky bet. And, sorry, Mr. West is gone.
That leaves only one man standing. Eminem is the most controversial character in rap history. He raps about rape. And murder. And drugs. Plus, he’s sold nearly 13 million worldwide. Oh yeah, and he's white. His next CD, Recovery, is only two months away, and he’s been dropping random tracks over the past few weeks to start building up hype. The two most recent, ‘Not Afraid’ and ‘Despicable Freestyle’, were both ill and showcased two completely differently styles of rapping. So is Marshall Mathers the next Weezy? Recognizable? Check. Mixes up his flow? Check. Clever lyrics? Check? Controversial? Check. Ladies and gentleman, looks like we have a new king of the rap game.

Jimi Hendrix: Blues (Track 3 of 11)

Hendrix's version of Muddy Waters' Mannish Boy is fast paced and funky.  The rhythm guitar uses muted strokes well to achieve that funk sound.  There isn't much in the way of lead guitar and there aren't any real solos; this is a big change from most of the tracks on Blues where Hendrix basically solos all the way through.  The lyrics are great, though, thanks to Muddy, and Jimi does this kind of falsetto at the beginning, which really shows his range.  I've found myself listening to this one more as the sun has come out this spring and I've been able to roll the windows down in the car while I drive.
Stand in line, I'll make love to you... it's always time.  Jimi's lyrics diverge a little from Muddy's but there good and mannish still.

Monday, May 3, 2010

Bluestone on Lucille


In the winter of 1949, King played at a dance hall in Twist, Arkansas. In order to heat the hall, a barrel half-filled with kerosene was lit, a fairly common practice at the time. During a performance, two men began to fight, knocking over the burning barrel and sending burning fuel across the floor. The hall burst into flames, which triggered an evacuation. Once outside, King realized that he had left his guitar inside the burning building. He entered the blaze to retrieve his beloved $30 guitar, a Gibson acoustic. Two people died in the fire. The next day, King learned that the two men were fighting over a woman named Lucille. King named that first guitar Lucille, as well as every one he owned since that near-fatal experience, as a reminder never again to do something as stupid as run into a burning building or fight over women. (Wikipedia.org)

Bluestone's Track of the Day: Ghetto Woman

Here's a funky track from B.B. King called Ghetto Woman.  I heard this track first on Disc 3 of the King of the Blues set, released in 1992.  This disc is unreal, featuring The Thrill Is Gone and Hummingbird, as well.  This song is addicting; notice the posts on the YouTube video.  One person says he used to put this song on repeat and sit in the hot tub for hours, 'nuff said, just listen to Ghetto Woman!

Buy King of the Blues from Amazon.com

Temporary Hold on Downloads

We regret to inform you that, because of legal issues, we have temporarily suspended all downloads of copyrighted materials. All mixtapes and other non-copyrighted materials will remain. Do not worry if you already downloaded something from our site; we are doing this as a precaution after better understanding of the laws. We will still be posting YouTube videos and other links, compiling info about and some sort of access to the best material, and writing. 
Thank you for your understanding. Stay posted!
 If you're disappointed, have some Piper Heidsieck, you'll feel better.

Offthechart's Random Tracks of the Day

First up for the day is some classic Game. Released as promotional content for his most recent CD, L.A.X., this track features The Game going hard over a bumping west coast beat and Akon covering the hook.


Download: Gangsta Party feat. Akon

This track is off of DJ Noodles' BP3-Qual, a mixtape dedicated entirely to Jay-Z mixes. '1000 Stacks' features Jay-Z's verse from the 'I Get Money' remix, Jeezy's verse from 'I'm So Paid' and Nelly's '1000 Stacks' beat. In my opinion, this track is far better than the sum of it's parts, improving on each and every piece that went into it.


Download: 1000 Stacks feat. Young Jeezy


Yet another track from DJ Noodles, this one is off of his Drake mixtape, Ready to Fly. In my top 10 mixtapes of 2009 mixtape, I gave this tape the solid 4 spot. It takes nearly all of Drake's best rapping verses and put's them over some real rap beats, as opposed to the gentle synths that made up 99% of So Far Gone. Noodles really showcases the best Drake has to offer and reveals that his amazing potential that is continually hidden behind all the R&B tracks he insists on releasing. This particular track features the acapella from 'Replacement Girl' over Terror Squad's 'Take Me Home' beat. This is another mixtape definitely worth picking up. Comment if you want the upload link as well.


Download: Take You Home feat. Trey Songz

More on David Johnston

Thanks to a fan posting on the Champagne n' Reefer facebook wall, I have found out a little more about David Johnston.  He plays a weekly gig, on Tuesday nights, at Bull McCabe's Pub in Union Square, Somerville.  Tomorrow, the show is at nine, so go out and support him!  I haven't been able to get in touch with Johnston yet, unfortunately, and I also haven't found out who sang Honey Bee for him, but with hope, I will.  Anyways, he's a great musician, buy his stuff, and check him out in Harvard Square or at McCabe's.

Live at the Coconut Grove: B.B King and Bobby Bland (1976)

B.B King and Bobby "Blue" Bland's recording of Together Again... Live, from the Coconut Grove. I have about 45 minutes of music from the performance; I don't know if it's the entire set list. It opens with Let the Good Times Roll and closes with a medley including The Thrill Is Gone. I have heard some criticism of this performance, but I think it's great.  Some say it's not as good as the first time they were together, live in Memphis (1975), but it's lively, with a good audience, plus B.B. and Bobby do sound great together. Bobby is, unfortunately, going through a phase where he growls during the songs, and it sounds horrible.
Although this probably isn't true, it really seems like they didn't practice for this show; the vibe is that of two guys just getting together and playing. In fact, the best part of the concert is the last track in which Bobby convinces B.B. to do The Thrill Is Gone. B.B. seems reluctant so Bobby asks the crowd, "Can he cut it y'all?" and gets an enthusiastic, "Yeah!" ... then the funk begins.  Then later in the medley, Viola Jackson joins in on I Ain't Gonna Be The First To Cry.  Bobby says to the crowd, "Let me hear it," and one response stands out.  Viola says, "Feel it!"  Bobby says to B.B., "Goodness, I think we got a hot one hear."  Next thing you know, he says, "Sing a little bit sexy now," and she is up on stage, singin' a little bit sexy, in a low, smooth voice.

I believe there were about 16 people on stage for this performance; check out Wikipedia.org for the full track listing and personnel.

Buy Together Again...Live on Amazon.com

Sunday, May 2, 2010

Offthechart's Random Tracks of the Day: Dirty South Edition

First up for the day is an 8-minute anthem dedicated to the city of Miami. This song features vocals from Flo Rida, Rick Ross, and Brisco, as well as a crazy beat. Typical of dirty south hip-hop, the lyrics of 'Yayo' boil down to a whole lot of slang, rather than any particularly meaningful content. However, the vocals sound so clean over the hard hitting base and resounding cries of 'Yayo' in the background that it's hard to complain.


Download: Yayo feat. Brisco, Billy Blue, Ball Greezy, Rick Ross, Redd Eyezz, Bred, Pitbull and Ace Hood

This track is a remix of of 'She Luv it' which was featured on UGK's final album, UGK 4 Life, which was dedicated posthumously to Pimp C. This is a classic UGK song, with a slow beat, a heavy bass and a crooning chorus, all backing up the smooth lyrics of Bun B. This track also benefits from a verse from Slim Thug, another staple in dirty south music.


Download: She Luv It (Remix) feat. Slim Thug and Killa Kyleon

This song is product of dirty southern hip-hop supergroup, The Fixxers, which is made up of DJ Quik and AMG. This song placed on hip-hop charts across the country, as well as being featured on an episode of Entourage. Like most southern hip-hop tracks, 'Can U Werk Wit Dat' is backed by a heavy, trunk-bouncing bass and a simple looping synth beat.


Young Jeezy-I'm Just Sayin



Another track off of Young Jeezy's upcoming mixtape, Trap or Die 2: By Any Means Necessary. Featuring the big-band type beat filled with horns and strings that suit Jeezy best, this song is a banger. In my book, Jeezy>Gucci Mane, no contest.
Download: I'm Just Sayin

Bluestone's Track of the Day: Blues In The Ghetto

Here's a little something from Pee Wee Crayton, it's called Blues In The Ghetto.  Crayton was born in Texas in 1914, then went on to do most of his recording in San Francisco.  His mellow Blues After Hours reached #1 on the Billboard R&B chart in 1948, and his upbeat Texas Hop had great success, as well.  Blues In The Ghetto is just a catchy tune.  The rhythm section plays the exact same loop through the entire song, as far as I can tell, and it kind of drones on.  I think this is what Crayton intended to do, however, and why the song is titled the way it is.
Listen on Yahoo Music


Buy Early Hour Blues off Amazon.com

Bluestone on Lightnin' Hopkins

Sam Lightnin' Hopkins was born in Centerville, Texas in 1912.  At the early age of 8, Hopkins met Blind Lemon Jefferson and got into the blues.  He played with Jefferson at church gatherings, who supposedly never let anyone else accompany him.  That was about it for his early music career, though.  He moved to Houston with his cousin, Alger Alexander, to try and break into the music industry, but had no success.  He returned home to work on a farm.  In 1946, he tried again in Houston and was discovered playing on the street by Aladdin Records.  Hopkins, a true Texas bluesman, got sick of recording with Aladdin in Los Angeles and returned home to Gold Star Records.  Hopkins' recognition blew up in the 1950s and in 1960 he debuted at Carnegie Hall.  That same year he signed with Tradition Records.  After a treacherous beginning to his career, Hopkins finally became known as one of the greats.
Lightnin' appears in most photographs with dark shades, a goofy smile, and a flask full o' whiskey.  He's just a guy with the blues, who happens to be really good at singing them.  He doesn't play with a back up band, he doesn't need a big stage.  He is, in my opinion, the best at playing bass, lead, rhythm, and percussion all together.  He hammers the low E with a heavy thumb, glazes over the body of the chord, and picks out a high lead with the rest of his fingers.  All the while, using his foot like a drumstick on the floor, and his palm on the body of the guitar; he's a one man show.

 What's great about his style is that it's so universal.  His sound is distinct, but it can also be found everywhere.  The way he played his licks is only one of many; they can be applied to any blues.  The Red Hot Chili Peppers even said they were influenced by Lightnin' around the time Stadium Arcadium came out.
Lightnin's sense of humor shows in a lot of his songs.  Here is Katie Mae Blues; "she walks just like she has oil wells in her backyard," he sings, "some folks say she must be a Cadillac, I say she must be a T-model Ford.  Yeah she got the shape alright, but she can't carry no heavy load."
Listen to Katie Mae Blues.

Buy The Very Best of Lightnin' Hopkins on Amazon.com

Saturday, May 1, 2010

Featured Artist: Dosage



Dosage first came to my attention a month or two ago when I first bought my tickets to go see Lupe Fiasco perform in Boston. He was the opening act for the opening act (B.o.B.), so, honestly, my expectations weren't that high.
But when I saw him live, I was in for a dope surprise. First off, this kid is a showman. Starting things up, the crowd was pretty mellow but after one track Dosage collapsed onto the ground and the music cuts. The other guys on stage lifted him up, completely supporting him as if he were passed out. All of a sudden 'All the Way Turnt Up' came on blasting as Dosage jumped back up, bounced across the stage and busted out a quick verse. From there on out, things only got better. The whole time he was on stage, Dosage was getting the crowd amped up, something that is definitely hard to do when no one in the audience knows your lyrics.
Back to his music, though. Dosage has got some incredibly clever lyrics, and a quick spitting style that nicely emphasizes his best lines. His flow consistently falls into an ill rhythm, giving you some solid music to ride to.
At the end of his set, Dosage tossed out a couple of CD's, which my buddy was lucky enough to pick up. I was able to burn a copy off him and so far his tape has gotten more than a dozen spins, enough for some clear favorite tracks to jump out at me. Throughout, the beats are solid and the rhymes are top notch. 'Read the Contract', Git Up to Git Down' and 'Dream Killers' are all absolute bangers.
I've been hittin up his myspace page but, unfortunately, not too much info is available on this rising star. About all I know is that he's from Philly and unsigned (though probably not for long). He's in the group 3rd Degree, though I'm not entirely sure who the other two members are.
For real though, do not sleep on this kid. I'm throwing my three favorite tracks of his down low and will upload the whole album upon request. I've also included his myspace link so you can check him out. Dosage, if you're reading this, keep on doing what you're doing and best of luck!

Dosage's Myspace

Download: Read the Contract
Download: Git Up to Git Down
Download: Dream Killers

Weekly Mixtape: Volume 1 (April 26th)


So I'm getting the jump on this a night early, but usually these will go up Sunday nights. Basically, every week I'm going to throw together a mixtape of 10-20 songs that particularly stood out to me this week. Most of these won't be taken from old posts from the week so this is definitely something worth picking up. Since this is the first edition, I stretched a little bit further back than a week and pulled some choice tracks off of Wiz Khalifa's Kush and OJ mixtape, as well as The Game's Red Room. If anyone has any tracks they think should have made the cut this week, leave a comment. Tracklist and download link down low.




1. I'll Find You-The Game
2. The Professionals-The Game feat. Kanary Diamonds, Menace and Mad Maxx
3. Beaming Freestyle-Nero
4. Love Letter to the Beat-Lupe Fiasco feat. Alicia Keys
5. Still Blazin-Wiz Khalifa
6. Not Lost-B.o.B. feat. T.I.
7. Good Dank-Wiz Khalifa
8. Dopeman Music-Scarface feat. B.James and Monk Kaza
9. Over Freestyle-Bad Meets Evil (Eminem and Royce da 5'9")
10. White Tees-Slim Thug feat. Boss Hogg Outlawz
11. Who Dat-J.Cole
12. Who to Trust-Jay Rock feat. Sean McGee

Download-Weekly Mixtape Volume 1 (April 26th)

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